VHS tape degradation in a pedal. Cooper FX collab that simulates worn magnetic tape with pitch wobble and noise.

Lo-fi ambient modulator inspired by Tesla. Pitch warble, vintage filters, vinyl crackle, and pad reverb.

Sequenced bitcrusher with 6-step pattern modulation. Lo-fi destruction that rhythmically chops your signal.

LoFi vinyl/tape modulator with Hi-Fi/Lo-Fi modes—Degrade, Warble, and Saturate add crackles, wobble, character.

Mini bitcrusher with three modes: radio, neutral, vintage phonograph. Bit, sample rate, and blend controls.

Lo-fi processor with sample rate reduction, bit crushing, and degradation effects. Three modes of digital decay.

Analog 'envelope pixelizer' wave shaper spanning bitcrusher, ring mod, tremolo and filter tones.

Digital compression artifacts as an effect. Goodhertz collab: MP3 degradation, spectral freeze, and packet loss.

Lo-fi ambient modulator inspired by Tesla. Pitch warble, vintage filters, vinyl crackle, and pad reverb.

Super Nintendo S-SMP-inspired DSP with two programs—bit depth, sample rate, and mix controls for retro gaming sounds.

Madison Cunningham signature vibrato. Stereo pitch modulation with dual presets and active tilt EQ.

Lo-fi ambient modulator inspired by Tesla. Pitch warble, vintage filters, vinyl crackle, and pad reverb.

All-analog lo-fi machine with vinyl wobble, tube saturation, and three-section degradation.

Bit crusher and sample rate reducer. Degrade and Obliterate modes for glitchy lo-fi destruction.

Digital bitcrusher with 5-16 bit resolution, 750Hz-44.1kHz sample rate, dry/mix blend, and 3 lo-fi voicing modes (Radio/Normal/Vintage Gramophone).

Bitcrusher and sample-rate reducer for 8-bit video game textures. Adjustable bit depth and sample rate.

Temples collaboration turning modern recordings into analog-era artifacts with expression control.

Stereo tape emulation modeling VCRs, dictaphones, and vintage machines. Failure knob dials in custom malfunctions.

Lo-fi chorus/vibrato with vinyl record artifacts: hiss, crackle, pops, and skip effects.

Bit crusher with sample rate reduction. Controlled digital destruction.

Lo-fi IC fuzz/distortion built by brutally overdriving the preamp of a one-knob chorus circuit.