Third generation JCM800 overdrive with refinements. Delivers smooth breakup with responsive touch dynamics.

Hybrid soft/hard-clipping MOSFET distortion with asymmetrical clipping and passive 3-band EQ.

Fuzz/distortion hybrid blending the sustain of fuzz with the tightness of distortion. Covers both territories.

Bass distortion maintaining low-end clarity, designed for bass frequency range.

Medium overdrive with smooth asymmetrical clipping. Tone knob doubles as presence control.

High-gain distortion with studio-grade noise gate and three clipping modes.

Boss SD-1 meets ProCo RAT in a 4-in-1 analog switchable circuit. Best of both worlds.

HM-2 on steroids with four-band EQ, three clipping modes, noise gate, and FX loop.

DIY PCB for building a Boss HM-2 Heavy Metal clone - the 1983 chainsaw distortion that defined Swedish death metal.

LM308 RAT-style distortion with 4 clipping options, switchable gain modes, and reversed filter.

RAT-style distortion optimized for bass. Low-end preservation with asymmetric clipping.

Budget distortion from the Smorgasbord series. Two-band EQ, voice switch at entry-level pricing.

Red-cased crunch distortion. British-voiced dirt. Features aggressive clipping and tight low-end response.

High-gain distortion for modern metal with tight tracking, noise gate, and extensive EQ. Canadian-built.

Aggressive distortion for heavier styles, more gain than the OCD delivers.

Angry Charlie V3 plus Moonshine V2 in one pedal. Marshall JCM800 meets enhanced classic overdrive.

Bass-focused dirt pedal designed for heavy low-end applications.

Dual-channel Sunn Model T preamp. Two cascading JFET stages per channel, switchable between clean and filth.

High-gain discrete distortion/fuzz for shoegaze, noise, doom, and sludge. Two mid-scoop depth modes.

Dual-channel dirt pedal offering two distinct gain voices in one enclosure.

Soldano SLO-100 focused preamp with SRAA technology, six channels, 15 controls, and 99% similarity to original amplifier.

EVH Brown Sound distortion with tweakable two-band EQ and Bright switch for cutting leads.

British valve amp-voiced distortion with three clipping modes and MKI/MKII switch. Carl Verheyen's go-to.

Variable clipping diodes sweep continuously from soft-clipping overdrive to hard-clipping distortion in a single pedal.