Bass fuzz that preserves every sub-frequency. Designed by Chuck Zwicky, draws under 0.5mA for insane battery life.

Three-circuit Tone Bender tribute offering NOS 75, NOS 76, and modern silicon voicings for classic and contemporary fuzz tones.

Single-transistor fuzz inspired by Fuzzy Nuts. NOS germanium/silicon hybrid clipping. Cleans up better than most fuzzes.

Bass-optimised Shin-Ei FY-2 fuzz with clean blend and switchable tone and mid-scoop circuits.

High-gain fuzz with cutting presence. Aggressive lead tones that speak clearly.

Distortion named Crown of Thorns, delivering aggressive British voicing.

Late 1970s Big Muff Pi recreation. Captures the grittier, less scooped transitional era IC-based circuit.

Western-themed fuzz in Blue Bonanza colorway with vintage-voiced silicon clipping and distinctive artwork.

Fuzz Face/Tone Bender hybrid with weird-biased preamp. S8050 silicon transistors, biased to 6.66V.

Bright, cheerful fuzz with prominent upper harmonics. Cuts through dense mixes.

Analog octave-up fuzz combining vintage Foxx Tone Machine-style octave with modern controls.

Analog octave pedal with parallel octave-up and octave-down circuits, switchable fuzz for each octave, and master mix control for creating harmonic entanglements and synth-like textures.

Analog fuzz harmonizer with nine intervals across two octaves for vintage octave fuzz to synth textures.

Southern Jutland slang for thingamajig, a Danish metal beast with raw clarity.

Two-knob fuzz voiced for late-60s/early-70s character with sandpapery edge and squidgy sustain.

Bass fuzz with wet/dry blend and gated Dry Gate mode for synth-like textures.

Modified Zonk Machine clone with bias control and switchable mid voicing.

Fuzzy Italian overdrive crossing from warm drive into buzzy fuzz territory. Nirvana-referencing name, fuzzy tones.

Vexter-series silkscreen edition of the Fuzz Factory 7 — 9-position sub rotary and 1956 Amperex Black Glass transistors.

NOS germanium fuzz with transformer-isolated input—works anywhere in the signal chain

Aggressive distortion with gate and boost. From crunch to total destruction.

Dual parallel fuzz combining Super-Fuzz and op-amp Big Muff circuits with stereo output.

Silicon fuzz with note clarity preserved through saturation. Articulate fuzz.

Flagship dual-circuit overdrive/fuzz with two preset channels and Hi/Lo EQ. Co-designed with Howard Davis.